Mia Goth’s Style Evolution Proves LBDs Don’t Have to Be Boring

In a Ferragamo dress, Goth mixed naked and method dressing at the Frankenstein New York premiere.

At the London Film Festival, Goth hit pause on her usual macabre wears for a lavender haze of a dress from designer Conner Ives.

The simple structure of this Armani Privé took a back seat to its other-worldly embellishments.

At the 2025 Venice premiere of Frankenstein, Goth provided an early look at Jonathan Anderson’s Dior in this draped slip dress that she jazzed up with Tiffany & Co. diamonds.

Goth’s burgundy sheath dress featured a floor-length cape detail along the reverse.

The star slipped into a bombshell black dress from Ludovic de Saint Sernin for the Maxxxine premiere in Los Angeles.

At a Louis Vuitton-hosted dinner in Los Angeles to celebrate W’s Best Performances issue, Goth showed up in one of creative director Nicolas Ghesquière’s recent plays on proportions, layered over a classic black turtleneck.

For the Academy’s Governors Awards, Goth mixed things up in a scarlet statement coat from Dolce & Gabbana—but of course, she’s layered a trusty LBD underneath.

For the premiere of Pearl at the Toronto International Film Festival, Goth really leaned into her scream queen reputation with a haunting veil over a black lace dress courtesy of Dolce & Gabbana Alta Moda.

At the Academy Museum Gala, Goth wore Armani while channeling classic Morticia Adams in this velvet, full-length gown.

Even when she’s channeling classic Italian glamour, she’s still doing it in head-to-toe black. Again, it’s Dolce & Gabbana Alta Moda.

At Vanity Fair’s 2020 Oscar shindig, Goth mixed it up, pairing a black skirt with a skin tone-hued bra top from Givenchy.

A rare hint of cream at a rare journey outside of the horror genre, at the Emma premiere in New York City. This look is from Proenza Schouler.

Goth proved Tory Burch has range.

While in Italy for the launch of the Pirelli calendar, Goth put a glamorous spin on her trademark black—this time, with a leg split that would make Angelina Jolie jealous. Givenchy was the atelier responsible for the look.

Goth made some concessions for Chloé (see: the plaid shorts), but still kept things haunting with a lace collar over a billowing black top.

Black, black, black again—this time, at Prada.

Valentino is known for its bold use of colors, so even Goth had to up the saturation in honor of attending the brand’s couture show back in 2019.

For Dior xouture, she set the saturation back down, but avoided full black.

Technically, “reflective” isn’t a color, but this Givenchy couture look the actor wore in London was still eclectic by her standards.

At the Venice Film Festival premiere of Suspiria, Goth allowed some couture embellishments on her black Givenchy gown.

Well, if you’re lucky enough to score an invite to a Chanel show, you might as well go all-in on the Chanel woman aesthetic.

At Calvin Klein, Goth allowed a statement bolt of color with this magenta neckline adorning her little black dress.

Earlier in her career, Goth was a bit more open to color and pattern. Here, she practically looks like a forest fairy in a green printed Prada dress.

This pale pink dress Goth wore to a 2016 awards show in Dublin, Ireland is practically romantic.

But she’s always gravitated towards black, as evidenced by this number from a 2014 Louis Vuitton show.